Just to check which book are you about?
I got this from Oxfam in Notting Hill the other year (charity shops in Notting Hill are a bit different). Interestingly someone's written inside it "To Kate, a TV star of the future". I wonder who that is? Kate Garraway? Kate Silverton? Kat(i)e Derham?
Can anyone remember half the stuff Thames made in its last three years bar the bill, minder and Mr bean?
Also I still think is weird all the companies in the south lost the franchise
Not that weird, TVS were totally imploding so were almost certain to lose, and Thames had their ownership issue which meant they were likely to be vulnerable. And the Southern franchises were always likely to be competitive because the areas they cover were so affluent so there was plenty of money to be had.
You say "apart from The Bill, Minder and Mr Bean" but they were three exceptionally successful series. Who can remember half the stuff any ITV company made in the late eighties and early nineties? They made lots of shows that were popular in their day but haven't lasted, the same as any ITV company, at any time in their history.
A shame that after what they promised, what little Carlton ended up producing for the network mostly ended up being total ****.
Wans't half the stuff Thames made crap aswell?
And again, wasn't half the stuff made by every ITV company crap? You can look through the back catalogue of all of them and there are stinkers everywhere. That's the way telly goes.
For what it's worth, it's easy to slag off Carlton but they did some innovative and interesting things and I don't think their output was much worse than any of the other ITV companies at the time. Certainly if you look at the people behind the scenes, there were some hugely distinguished programme makers involved (and you can't say, oh, but Carlton didn't make anything so if they did anything good it was because of the indies, because Carlton commissioned these shows and you may as well say the same thing about C4).
I think the big problem for Carlton was that they were trying a bit too hard to be different. I think the ultimate Carlton show was Lose A Million, the flop game show, which was trying to subvert the concepts of light entertainment, while trying to be light entertainment at the same time. I think that's the kind of thing you can do on C4 but probably not on primetime ITV, and I think a lot of Carlton's shows were too obscure or arch for mass consumption, certainly at the start.
As for Thames, you could argue that they had a wonderful heritage but a lot of their success was based on old brands which were starting to decline a bit, and some of it seemed a bit old-fashioned. They certainly struggled to reflect things like alternative comedy, and Capital City, which was supposed to be an upmarket drama for the nineties, was a total disaster.