So I know Panasonic is the official
“AUDIO/TV/VIDEO EQUIPMENT” provider for the Olympics. But in reality how many of the cameras, switchers and other broadcast critical equipment comes from them? I don’t think I’ve ever seen or heard of an OB truck that carries Panasonic cameras for sport and their most powerful switcher is a 2M/E.
I'm not sure I've seen any Panasonic equipment in the IBC. I remember in London they had their logo under the stadium big screens, as if to suggest it was one of their products, but I doubt it was.
I’m kind of curious how they cut the different language OBS feeds. Is there a master switcher with slaves switchers for each language? (I got that idea as that’s what NBC uses for some of their Norte Dame football games in 4K) Or is it more akin to the whole BBC News setup where each channel can have a different style.
I know I posted a screengrab of a graphic from the Opening Ceremony in Korean yesterday, but I'm watching a bit more MBC this evening and it appears they're just keying them on top of the host graphics: on this evening's hockey, an OBS graphic (in English) appears, then it changes to Korean - though the background doesn't animate, so I suspect MBC are generating these themselves.
OBS commentary is only in English.
OBS hires in production teams and equipment from lots of different areas - the broadcast sponsor tag no longer really applies to the TV production.
Since I'm sure someone's going to ask, OBS have subcontracted production for the following sports:
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Alpine Skiing: SRG (Switzerland)
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Cross-country: YLE (Finland)
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Ski jumping, Nordic Combined, Big Air: Sapporo TV (Japan)
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Curling, and one of the hockey rinks: CBC (Canada)
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Speed skating: NHK (Japan)
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Short track, figure skating: SBS (Korea)
The rest is handled in-house, though will no doubt be relying on a lot of freelance talent who usually work for other broadcasters around the world.
NEP have also built the Discovery/Eurosport presentation and routing operations (studios, control rooms, MCR etc.) in Korea. (Largely through NEP Visions in the UK I think). Lots of ex-BBC people out there working as part of that operation (including some of the brains behind the BBC's London 2012 set-up)
I've seen an NEP truck on one of the Gangneung cable cams - I think it's outside one of the hockey venues. As noggin says, Discovery's rig is provided by NEP UK, and could easily be mistaken for a permanent install. The
SVG article hints at some of the complexity of serving few dozen variants of the channel, each with their own priorities, and with up to 9 different commentaries passing through the IBC. (I'm not sure about the other 30-odd ones are coming from!) I don't think anyone's ever tried anything on this scale before, but as you say, a lot of the engineering team have a lot of Olympic experience under their belts, a lot of it for the BBC.