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*WHY* are channels still 4:3?

(October 2011)

This site closed in March 2021 and is now a read-only archive
NE
Neo

That's where the 14:9 "compromise" comes in and you get what was originally screened with no loss - and that includes titles, capgens etc provided they were in the safe title area.

Why is 14:9 "no loss" (since it's wider than 4:3) - do you mean because overscan would have lost some picture? Why not, if you can (if guidelines allowed), show the 4:3 sections in 4:3 - is it because you'd get complaints about black bars or too much of a distracting jump between 16:9 and 4:3 sections? Surely it would be better (though 'guidelines' might say otherwise) to show content in it's original aspect ratio, without cropping or zooming (OAR is what you usually get when you buy a film on Blu-ray).
Last edited by Neo on 8 October 2011 10:09am - 3 times in total
FB
Fluffy Bunny Feet
Neo posted:

That's where the 14:9 "compromise" comes in and you get what was originally screened with no loss - and that includes titles, capgens etc provided they were in the safe title area.

Why is 14:9 "no loss" (since it's wider than 4:3) - do you mean because overscan would have lost some picture? Why not, if you can (if guidelines allowed), show the 4:3 sections in 4:3 - is it because you'd get complaints about black bars or too much of a distracting jump between 16:9 and 4:3 sections?)


"No loss" of the original image within a 16:9 show.
You cannot use 4:3 image on a 16:9 transmission because of distortion.
Footballs are round, bike wheels are round, circles are round...
If you really can't figure this out shoot a testcard full frame 4:3 and then try editing it into a 16:9 programme and see what I mean. If you've no testcard scan a piece of 4:3 paper with a circle drawn on it instead.
It has nothing to do with guidelines BTW.
NE
Neo

"No loss" of the original image within a 16:9 show.
You cannot use 4:3 image on a 16:9 transmission because of distortion.
Footballs are round, bike wheels are round, circles are round...

Round wheels would still be round if you show it with pillarbox bars around the 4:3 video if broadcasting within a 16:9 frame/project - that way there will be no distortion (ie. tell the editor program to maintain the original aspect ratio of the 4:3 footage, when it's in a 16:9 project).

Quote:
It has nothing to do with guidelines BTW.

It is when the guidelines want you to zoom/crop (the opposite of OAR - any reviewer of a film that was released on Blu-ray 'zoomed to 16:9' would likely say bad things about the picture quality).
eg.
http://www.bbc.co.uk/guidelines/dq/pdf/tv/tv_delivery_of_programmes_to_worldwide_v1.0-2011.pdf

Quote:
Aspect ratio - archive
Archive material should be zoomed to fill the 16:9 raster where possible without compromising the image
quality or composition, otherwise it may be presented in a pillar-box format, which:
• may be of an intermediate ratio between 4:3 and 16:9, but must be of consistent width across
sequences,
Last edited by Neo on 8 October 2011 2:35pm - 15 times in total
PE
Pete Founding member
Pete posted:
Another reason is the original aspect ratio.


yet but switching between 16:9 and 4:3 is hardly tricky.

Surely the adverts come into the stations in 16:9 as they've been that way since about 2001? It's something I just don't understand as an editorial policy. It just seems to be ludditeism or lazyness rather than any form of logic. being applied.


It's not ludditeism (sp) or lazyness. Adverts are not what drives TV stations aspect ratios.
Just think about it a minute.
I'll give you an example:
Sports feature with an interview of top football manager made a few years back. Shot 4:3. It's framed with a particular style. The interviews are shot on the angle with very little headroom above the subject. You want to use it again what do you do now we are 16:9?


Sorry I think my original post was unclear. I wasn't talking about older footage within shows, rather full stand alone shows themselves. What I was trying to say was that channels such as ITV3 / E4 are able to have a 16:9 advert break and then send a flag for the TV to switch back to 4:3 (or however it interprets 4:3).

I remember CBBC was the exception to this for a while because all their output came directly out of TC9's gallery rather than through pres.

That was what I was meaning rather than badly butchering old content (such as some of the archive shows where only talking heads are native widescreen but they crop everything else to death).
FB
Fluffy Bunny Feet
Neo posted:

"No loss" of the original image within a 16:9 show.
You cannot use 4:3 image on a 16:9 transmission because of distortion.
Footballs are round, bike wheels are round, circles are round...

Round wheels would still be round if you show it with pillarbox bars around the 4:3 video if broadcasting within a 16:9 frame/project - that way there will be no distortion (ie. tell the editor program to maintain the original aspect ratio of the 4:3 footage, when it's in a 16:9 project).

Quote:
It has nothing to do with guidelines BTW.

It is when the guidelines want you to zoom/crop (the opposite of OAR - any reviewer of a film that was released on Blu-ray 'zoomed to 16:9' would likely say bad things about the picture quality).
eg.
http://www.bbc.co.uk/guidelines/dq/pdf/tv/tv_delivery_of_programmes_to_worldwide_v1.0-2011.pdf

Quote:
Aspect ratio - archive
Archive material should be zoomed to fill the 16:9 raster where possible without compromising the image
quality or composition, otherwise it may be presented in a pillar-box format, which:
• may be of an intermediate ratio between 4:3 and 16:9, but must be of consistent width across
sequences,


Yes agreed. It was the mixing of material I was referring to. The poster below clarifies their comments.
I also note the points below and comply with them.
I personally discourage enlargement of frame of 4:3 material because picture quality usually suffers unless it's essential. I personally prefer to use original frame within 16:9 as that is what was originally produced.
Incidently when we were 4:3, we had problems going the other way where Panavision movie clips were used. My producer could not understand why we could not see the edges of the clip where the actors stood when he asked me to fill the 4:3 frame Rolling Eyes

3.7.2 Aspect ratio - archive
Archive material should be zoomed to fill the 16:9 raster where possible without compromising the image
quality or composition, otherwise it may be presented in a pillar-box format, which:
• may be of an intermediate ratio between 4:3 and 16:9, but must be of consistent width across sequences,
• must be centrally framed in the 16:9 raster,
• must show no geometrical distortion,
• must have clean and sharp pillar-box edges (i.e. any video or film edge artefacts may need to be
blanked.)
• must be black outside the active picture, unless otherwise specified by the broadcaster.
Note however, that consumer TV sets operating in Auto Zoom / Auto mode may enlarge the picture to fill the
screen horizontally. The resulting unpredictable zooming can be annoying for the viewer and undermine the artistic intent.
FB
Fluffy Bunny Feet
Pete posted:
Pete posted:
Another reason is the original aspect ratio.


yet but switching between 16:9 and 4:3 is hardly tricky.

Surely the adverts come into the stations in 16:9 as they've been that way since about 2001? It's something I just don't understand as an editorial policy. It just seems to be ludditeism or lazyness rather than any form of logic. being applied.


It's not ludditeism (sp) or lazyness. Adverts are not what drives TV stations aspect ratios.
Just think about it a minute.
I'll give you an example:
Sports feature with an interview of top football manager made a few years back. Shot 4:3. It's framed with a particular style. The interviews are shot on the angle with very little headroom above the subject. You want to use it again what do you do now we are 16:9?


Sorry I think my original post was unclear. I wasn't talking about older footage within shows, rather full stand alone shows themselves. What I was trying to say was that channels such as ITV3 / E4 are able to have a 16:9 advert break and then send a flag for the TV to switch back to 4:3 (or however it interprets 4:3).

I remember CBBC was the exception to this for a while because all their output came directly out of TC9's gallery rather than through pres.

That was what I was meaning rather than badly butchering old content (such as some of the archive shows where only talking heads are native widescreen but they crop everything else to death).


Understood.
Yes archive shows do present problems if not TX correctly.
I noticed last week that Ch4 tranmitted an Ep of Fraser 16:9 when it was quite clearly distorted. All the others have been pillarboxed so it looks like this one slipped through.
JO
Jonny
Note however, that consumer TV sets operating in Auto Zoom / Auto mode may enlarge the picture to fill the
screen horizontally. The resulting unpredictable zooming can be annoying for the viewer and undermine the artistic intent.

So the BBC's recommendation is to crop to 16:9 wherever possible, spoiling the picture for everyone to avoid annoying a select few? Great logic.
NE
Neo
Jonny posted:
Note however, that consumer TV sets operating in Auto Zoom / Auto mode may enlarge the picture to fill the
screen horizontally. The resulting unpredictable zooming can be annoying for the viewer and undermine the artistic intent.

So the BBC's recommendation is to crop to 16:9 wherever possible, spoiling the picture for everyone to avoid annoying a select few? Great logic.

Exactly - that's a bad recommendation, people who have their TV on a zoom mode where it would crop or distort the picture on purpose shouldn't have priority of people who want OAR and the original framing.

Also, if people have the picture on some auto-zoom mode which auto zooms when it sees black bars and it was the frequency of the zooming which was a problem, surely they could put additional options in set top boxes/TVs so eg. you could tell it for programs/films with lots of aspect ratio switching to not keep zooming in those cases or to zoom so it doesn't quite fill the screen (leaves some black bars/pillar box bars). Also, maybe having something other than plain black pillarbox bars within a program (eg. using grey or other types of bars instead) would stop the auto-zooming for programmes with frequent aspect ratio switching.
FB
Fluffy Bunny Feet
Another reason is the original aspect ratio.
I know some viewers get hacked off with black pillars at the side of screen but I prefer to see TV pictures the way thet were shot. If you streatch a 4:3 image to fit a 16:9 aspect you loose some framing - which is why some broadcasters go down the 14:9 route on "archive" shows. It's a compromise so all the original picture is seen. The question to pose, if people disagree, is the old analagy:
If you bought an old Rembrandt picture and took it home, would you cut the edges of it to fit your picture frame?
Now, don't get me started on colourizing and widescreening World War One pictures...


My Television has a Panoramic Mode which only stretches the very edges of a 4:3 picture to 16:9, this way the picture between the edges is still as it was when it was true 4:3.


Sorry, but you can't as you have about a third more screen to fill than the original.

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