VM
Sorry to go back a few pages, but I looked up this song today. The music video is certainly something! I found this comment which piqued my interest. What method would they have been using to record in high definition in 1987, the Japanese Hi-Vision system?
"I was on the crew for this video. At the time it was significant. It was only the second music video shot in HD in the US. It was directed by Academy Award wining director Zbigniew Rybczyński. It was also one of the most ambitious chroma key (green screen) videos done at that time. It also used a groundbreaking computer controlled camera that matched the background camera moves with multiple layers of foreground images. Many shots have four layers of video which was remarkable for analog tech at the time. That said it was a tough shoot. It was a huge cyc and we had constant lighting problems, it was the middle of a heat wave and the lights made the studio so hot the camera kept shutting down (and we all had heat rashes), the conveyor belts they were running and dancing on kept breaking -- but Mick was a pro throughout."
Of course, when we get to 1987 we'll have the memorable performance of Let's Work by Mick Jagger, which they pre-recorded expecting it to soar up the charts only to plod up them and after sitting on it for weeks they eventually gave up and showed it while it was at number 41.
Sorry to go back a few pages, but I looked up this song today. The music video is certainly something! I found this comment which piqued my interest. What method would they have been using to record in high definition in 1987, the Japanese Hi-Vision system?
"I was on the crew for this video. At the time it was significant. It was only the second music video shot in HD in the US. It was directed by Academy Award wining director Zbigniew Rybczyński. It was also one of the most ambitious chroma key (green screen) videos done at that time. It also used a groundbreaking computer controlled camera that matched the background camera moves with multiple layers of foreground images. Many shots have four layers of video which was remarkable for analog tech at the time. That said it was a tough shoot. It was a huge cyc and we had constant lighting problems, it was the middle of a heat wave and the lights made the studio so hot the camera kept shutting down (and we all had heat rashes), the conveyor belts they were running and dancing on kept breaking -- but Mick was a pro throughout."