UK
Yes they were for years using the two playout areas: NTA and DTA. However when the NTA closed they equipped a suite that could be used to do the same.
However IIRC around the same time the BBC decided that they didn't have the need to put out different trails on the two platforms and soi don't think it was ever used.
Films were often shown with two versions, the old 4:3 print on analogue and a widescreen version on digital. I do remember seeing Apollo 13 being TX'd like this, but somehow the 16:9 version showed less than the 4:3 one, as if they'd just but the top and bottom off to make it 16:9
The 4:3 version was probably open matte. The 16:9 version would have been what was used in the cinema (and likely what the director intended). Sometimes boom mics or other errors appeared in open matte home video releases or TV broadcasts.
Apollo 13 was shot Super35, so there is every chance to create a 4:3 version that adds extra height. It was released in 2.39:1, there is an
IMAX version that is open matted to 1.66:1, but that wouldn’t have been shown as its 20 minutes shorter than the theatrical version.
[
I think different trailers were shown, and I think two different copies of movies were sometimes broadcast 4:3 p&s on analogue, widescreen on digital? (Rather than letting an ARC sort out the analogue version)
I think different trailers were shown, and I think two different copies of movies were sometimes broadcast 4:3 p&s on analogue, widescreen on digital? (Rather than letting an ARC sort out the analogue version)
Yes they were for years using the two playout areas: NTA and DTA. However when the NTA closed they equipped a suite that could be used to do the same.
However IIRC around the same time the BBC decided that they didn't have the need to put out different trails on the two platforms and soi don't think it was ever used.
Films were often shown with two versions, the old 4:3 print on analogue and a widescreen version on digital. I do remember seeing Apollo 13 being TX'd like this, but somehow the 16:9 version showed less than the 4:3 one, as if they'd just but the top and bottom off to make it 16:9
The 4:3 version was probably open matte. The 16:9 version would have been what was used in the cinema (and likely what the director intended). Sometimes boom mics or other errors appeared in open matte home video releases or TV broadcasts.
Apollo 13 was shot Super35, so there is every chance to create a 4:3 version that adds extra height. It was released in 2.39:1, there is an
IMAX version that is open matted to 1.66:1, but that wouldn’t have been shown as its 20 minutes shorter than the theatrical version.