RK
Perhaps the news "ident" will be a group of people looking at newspapers in a newsagent.
If they decided to slash budgets even further and just use the News Channel countdown going into BBC One bulletins, I'd be happy. Anything is better than this set of non-idents.
Two Ideas:
1) Showing the producers on the desks in view of the studio working maybe over exaggerated collaboration (people looking at one persons computer or maybe passing papers) with Studio E in view. I'd have presenters not easily identifiable so it could be used with any bulletin.
2) Maybe Studio E going live for the first time in the day - shot from the corner of the studio. Start with lights flickering on in stages (maybe the catwalk first and then the rest), then the monitors in sequence showing color bars , the light boxes changing colors, the cameras in stored position (maybe closest to the walkway to the desk) moving towards their typical shots / rising up and finally the logos and standard footage on the monitors.
That's far too good and creative for the BBC.
I'd be willing to license it to them for what is essentially free - just access to a HQ livestream of their channels here in the US.
Perhaps the news "ident" will be a group of people looking at newspapers in a newsagent.
If they decided to slash budgets even further and just use the News Channel countdown going into BBC One bulletins, I'd be happy. Anything is better than this set of non-idents.
Two Ideas:
1) Showing the producers on the desks in view of the studio working maybe over exaggerated collaboration (people looking at one persons computer or maybe passing papers) with Studio E in view. I'd have presenters not easily identifiable so it could be used with any bulletin.
2) Maybe Studio E going live for the first time in the day - shot from the corner of the studio. Start with lights flickering on in stages (maybe the catwalk first and then the rest), then the monitors in sequence showing color bars , the light boxes changing colors, the cameras in stored position (maybe closest to the walkway to the desk) moving towards their typical shots / rising up and finally the logos and standard footage on the monitors.
That's far too good and creative for the BBC.
I'd be willing to license it to them for what is essentially free - just access to a HQ livestream of their channels here in the US.
