No - that would be "film capture". The capture refers to the original recording of the light.
Ah - beg pardon, didn't realise you meant they'd switched medium entirely.
So if the Beeb won't classify 16mm or Super16 HD scans as HD - does that mean that although something like P&P may end up on BluRay, they won't put it out on their HD channel?
It means they won't pay extra to commission Super 16 productions in HD as they don't believe that Super 16, once it has been through a broadcast HD transmission chain, delivers HD quality. The problem is that Super 16 has a much smaller image area than 35mm film, meaning it is inherently "noisier" or "grainier". Noise/Grain is inherently random, and as a result it will hammer any form of spatial and temporal compression - leaving less data free to encode real picture content.
Blu-rays can run at 30Mbs, broadcast HD now runs at around 8-15Mbs...
Once there has been a full change-over of BBC One to BBC One HD, then there is an argument that broadcasting shows like P&P from an HD re-telecine rather than an SD upconvert is preferable. However there is a counter argument that the SD upconvert may end up looking better to viewers at home...
The major issue until now has been funding - the BBC wouldn't pay extra for HD if the show didn't meet certain HD quality standards (and Super 16 production failed in the quality standards). However from the next financial year (beginning April 2011) the BBC expects all commisions to be in HD, and expects suppliers to deliver in HD as standard (unless there is a good reason not to). I suspect this probably means the end of extra money for HD for most shows, as HD costs have been dropping year-on-year (and in some cases may now even be lower than legacy SD stuff)