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Good Morning Britain - the launch

(April 2014)

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DK
DanielK
So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


But it's done all over the place. When things are done in an "emergency", yes, they can sound cobbled together. But when it's designed to be used like this from the start it's dead easy to make it seamless.


Really? To me it sounds like it is one recording, even if the date is separate from the 'Live...' part.
NG
noggin Founding member
Jon posted:
dbl posted:
Clearly its all recorded in one session with a consistent tone of voice, it would make no sense paying for a session per week. How do you think the automated train announcements are done.

I really don't think it would have been done in one session, if so his voice will start sounding very tired very soon due to him repeating the same line so many times.

It's not some random they've picked from the street, it's a professional voice over, I suspect they can handle it. It's not that many words to record either.


The strain would still come through after a while, which it hasn't. I really think that it is record week by week, or month by month maybe.


Five days; thirty one numbers, twelve months, maybe ten years. Even if the dates and months were combined, it's not that many combinations to record.


So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


If you get a pro to do it - with clear and consistent delivery - and you record all 31 numbers individually and with the run up (rather than just saying them separately) - then it could work quite well. Given that almost every documentary and news report contains heavily edited sentences - it's not that inconceivable.

I'm not saying that this is what they do - but I don't think you can dismiss it out of hand.

It's very different to an emergency where you make do with what you have rather than planning for it to work from the outset.
dosxuk and bilky asko gave kudos
BA
bilky asko
So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


But it's done all over the place. When things are done in an "emergency", yes, they can sound cobbled together. But when it's designed to be used like this from the start it's dead easy to make it seamless.


Really? To me it sounds like it is one recording, even if the date is separate from the 'Live...' part.


If it sounds seamless, then the job's been done properly. The background music probably helps too.
DO
dosxuk
So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


But it's done all over the place. When things are done in an "emergency", yes, they can sound cobbled together. But when it's designed to be used like this from the start it's dead easy to make it seamless.


Really? To me it sounds like it is one recording, even if the date is separate from the 'Live...' part.


Yes. You simply need a quiet studio with a low noise floor, and a competent recording set up, so all the parts are recorded at the same level. Then you can dump them onto a PC and edit the audio files into clips of the particular segments (which may be anything from entire paragraphs to single words). If you do this so the audio waveform is crossing-zero at the cut points, you can then join them together in a seamless manner, in any order of your choosing.

There's only three things you need to watch out for - volume of background noise, volume of the speaker, and waveform jumps, which will make a clicking noise if you don't trim them correctly. Do these three things right and nobody will be able to tell you, even from looking at the raw waveform, that it was formed from separate recordings.
DK
DanielK
Jon posted:
dbl posted:
Clearly its all recorded in one session with a consistent tone of voice, it would make no sense paying for a session per week. How do you think the automated train announcements are done.

I really don't think it would have been done in one session, if so his voice will start sounding very tired very soon due to him repeating the same line so many times.

It's not some random they've picked from the street, it's a professional voice over, I suspect they can handle it. It's not that many words to record either.


The strain would still come through after a while, which it hasn't. I really think that it is record week by week, or month by month maybe.


Five days; thirty one numbers, twelve months, maybe ten years. Even if the dates and months were combined, it's not that many combinations to record.


So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


If you get a pro to do it - with clear and consistent delivery - and you record all 31 numbers individually and with the run up (rather than just saying them separately) - then it could work quite well. Given that almost every documentary and news report contains heavily edited sentences - it's not that inconceivable.

I'm not saying that this is what they do - but I don't think you can dismiss it out of hand.

It's very different to an emergency where you make do with what you have rather than planning for it to work from the outset.


I've just watched the intro and he says '28th OF April' and the way he says it makes me think that the date and month are recorded together.
DO
dosxuk
I've just watched the intro and he says '28th OF April' and the way he says it makes me think that the date and month are recorded together.


If there's an emphasis on the "of", it's almost certainly a selection of clips stuck together. It's unnatural to put an emphasis there when reading out a sentence.
DK
DanielK
I've just watched the intro and he says '28th OF April' and the way he says it makes me think that the date and month are recorded together.


If there's an emphasis on the "of", it's almost certainly a selection of clips stuck together. It's unnatural to put an emphasis there when reading out a sentence.

Listening again, it is sounding more like 'Monday, Twenty-Eigth've April...'.
DA
David
What about the commentary in the video game Fifa 2008? Is that done live or is it a selection of clips pasted together?
PE
peterrocket Founding member
So you're saying that it is recorded in segments to form a sort of kit of words? That would sound really terrible, which has been proven when Sky News need an emergency voiceover and cut together two totally different ones with stresses and pauses in the wrong places


But it's done all over the place. When things are done in an "emergency", yes, they can sound cobbled together. But when it's designed to be used like this from the start it's dead easy to make it seamless.


Plus, realistically what emergency would need a different voiceover if they have every combination of day/date/month/year available? The only thing there might be is if they have to do the show elsewhere or on OB and the line 'live from ITV studios' becomes incorrect.

Then in that case, they'd probably pay for special voiceovers.
HB
HarryB
Ben and Susanna outside by the Thames
RO
rob Founding member
Ben and Susanna outside by the Thames


*
DK
DanielK
rob posted:
Ben and Susanna outside by the Thames


*

Quite nice, just turn a bit so they can get St Pauls into shot (if the sun isn't in shot).

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