NG
I'd second that re: NRK and - to a degree - DR. ISTR that DR also introduced CuePilot timecode slaved, automatic vision mixing - arguably one of the biggest innovations to hit Eurovision in production terms in recent years. (2013 was the last manually vision mixed show)
noggin
Founding member
*sigh*
You keep saying that only BBC, RTE & SVT have made innovative productions however you’ve happily ignored the two most innovative productions of their time, 1996 and 2010, both by NRK. The 1996 production in particular set the standard for later years. NRK introduced virtual reality, a massive arena and most importantly humour into the script. The 2010 production was equally streets ahead of anything we’d seen at that point.
I’d also go so far as to highlight 2014 in Copenhagen. Putting aside the financial mismanagement DR put on a visually spectacular show that was truly excellent to watch.
You keep saying that only BBC, RTE & SVT have made innovative productions however you’ve happily ignored the two most innovative productions of their time, 1996 and 2010, both by NRK. The 1996 production in particular set the standard for later years. NRK introduced virtual reality, a massive arena and most importantly humour into the script. The 2010 production was equally streets ahead of anything we’d seen at that point.
I’d also go so far as to highlight 2014 in Copenhagen. Putting aside the financial mismanagement DR put on a visually spectacular show that was truly excellent to watch.
I'd second that re: NRK and - to a degree - DR. ISTR that DR also introduced CuePilot timecode slaved, automatic vision mixing - arguably one of the biggest innovations to hit Eurovision in production terms in recent years. (2013 was the last manually vision mixed show)
Last edited by noggin on 3 November 2018 10:14pm - 2 times in total