Would someone be kind enough to explain why it is that certain American TV programmes end up with a higher pitch when shown on British television? I've always wondered about this and why it affects some shows but not others. Many thanks!
It's because they're shot at 24p (the film standard). They're broadcast at 60i with a bit of a judder due to one repeated field in every 5 (AAABBCCCDD), but Americans are used to it and flatscreens have a thing called (I believe) cadence matching which will undo the judder.
PAL broadcasts are at 25 frames/50 fields per second, so the simplest way to get a film or US import on telly is just the speed up the 24 frames per second to 25 - that means the audio has to be sped up too. Usually it's left at that, so everyone's a little bit squeaky (Enterprise on Channel 4), but sometimes they'll try and shift the pitch back down - with varying results. A recent showing of The Spiderwick Chronicles on Channel 4 was shifted down, but it left horrible warbles all over the dialogue, like the actors were gargling as they spoke. The same went for Stargate SG1 on Channel 4, but it wasn't that bad.
Or, more rarely, they'll leave the audio and duration as it is, and do various horrible things to mangle the picture, which appears to be the case with Torchwood - the logic possibly being that we're all familiar with the pitch of Jack/Gwen/Rhys's voice, so a pitch shift would not go unnoticed as it might with, say, Heroes (HRG mentioned the pitch issue when he was interviewed on This Morning). Every 25th frame is fine, but the rest are differently weighted blends of the two nearest frames.
David