BL
Yes and no. Idents at the start of an ad break coming off 35mm film would simply have a film optical spliced on the front of the break. It was simply called ‘the optical’.
Ad breaks coming off the ACR would be preceded by the same optical but originating from the 35mm film optical. However, the optical was sourced from a telecine machine that could be especially ‘adapted’ by pulling out a specific processing card that ‘inhibited’ the normal clamping of the Blue signal and lifted it much higher - including the peak Blue signal representing the white part of the Southern star. The video clipper on the Blue channel was then wound back down to clip the Blue signal to be the same as the Green and Red channels. It was a very effective ‘tweak’ but not quite 100% and left the white ‘star’ with a very very slight yellow tinge. As you will see on numerous YouTube examples the result is a nice clean Star animating in front of a very clean Colbalt blue background.
Your YouTube clip is a perfect example, the ident (it was referred to as a ‘rolling ident’ to distinguish it from a ‘static’ ident), is coming off the ACR and mixes through to the clock which is monochrome and passing through a Cox colouriser. There was more than one colouriser by the way.
Ad breaks coming off the ACR would be preceded by the same optical but originating from the 35mm film optical. However, the optical was sourced from a telecine machine that could be especially ‘adapted’ by pulling out a specific processing card that ‘inhibited’ the normal clamping of the Blue signal and lifted it much higher - including the peak Blue signal representing the white part of the Southern star. The video clipper on the Blue channel was then wound back down to clip the Blue signal to be the same as the Green and Red channels. It was a very effective ‘tweak’ but not quite 100% and left the white ‘star’ with a very very slight yellow tinge. As you will see on numerous YouTube examples the result is a nice clean Star animating in front of a very clean Colbalt blue background.
Your YouTube clip is a perfect example, the ident (it was referred to as a ‘rolling ident’ to distinguish it from a ‘static’ ident), is coming off the ACR and mixes through to the clock which is monochrome and passing through a Cox colouriser. There was more than one colouriser by the way.
Last edited by bluecortina on 9 May 2019 6:43pm - 2 times in total