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Casualty At 30

End of 30th Anniversary Celebrations with one-shot episode (July 2017)

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UB
UBox
Old thread had been archived and couldn't find anyone mentioning last night's one shot episode and was wondering what people thought of it?

I just got round to watching it and apart from those irritating 2 teenage girls I was very impressed by how well it worked in one shot. I was expecting there to be a massive lack of narrative due to the logistics of such a shoot but they did a good job of keeping a strong narrative throughout.

As I said; I look forward to seeing what everyone else thought.
Custard56 and DJ Dave gave kudos
BA
bilky asko
I noticed a few visible vibrations in the shot at one point, but not too distracting.
MA
mapperuo
I noticed a few visible vibrations in the shot at one point, but not too distracting.


I too noticed those. Like they used some software to try overcome actual vibration in the shot but in my eyes made it look worse.

Overall great work by the crew, especially camera op and focus puller. Quite a dull storyline though I thought.
LL
London Lite Founding member
Technically excellent, bar the cheap CGI during the explosion. From the storyline POV, an average storyline and gimmicky.
HJ
HJL
Technically excellent, bar the cheap CGI during the explosion. From the storyline POV, an average storyline and gimmicky.


Couldn't agree more. No mean feet but I wish they'd produced a better story for the occasion!
PT
Put The Telly On
Echo what's been said, technically very good but the storyline was just a bit... meh. That said I've not been a regular viewer for years.
CR
Critique
Yes, technically very impressive - some clever stuff there, such as near the beginning of the episode when going down a rectangular staircase inside the burning house, with the cameraman going off where the bannister should be at the top (presumably on a ladder or something) and then backing down at the bottom into the downstairs of the house, all whilst the paramedic is actually using the stairs.

As others have said a fairly average storyline. The whole thing with Duffy showing two girls around the department made it feel a bit like a red button special where viewers get to be 'in' the story by taking part from the position of the cameraman.
ST
Stedixon
I wasn't that impressed to be honest and I usually love Casualty. It felt drawn out. The story was a bit naff and the gaps in dialogue were cringey. The camera going all over made me feel a bit giddy and the acting, ropey in places. I, for one, hope they don't do it again as it didn't work for me.
DA
davidhorman

I too noticed those. Like they used some software to try overcome actual vibration in the shot but in my eyes made it look worse.


You don't know how bad it would have looked without the stabilisation.

Certainly more of a technical feat than a narrative one. And it was two shots, not one - one before the titles and one after. More fake news (well, drama) from the BBC!
Ben Shatliff and UBox gave kudos
JW
JamesWorldNews
Sharon Gless is to appear in a One-off episode in due course.
MA
mapperuo

I too noticed those. Like they used some software to try overcome actual vibration in the shot but in my eyes made it look worse.


You don't know how bad it would have looked without the stabilisation.


Fair Point. I guess my thinking was, it's showing a busy rushed hospital ward so a bit of a jolt wouldn't have felt misplaced rather than the stretched/disfigured effect we saw.
CW
Charlie Wells Moderator
Technically it was impressive, though the CGI rubble in the blast pre-titles looked blatantly computer generated.

As someone who hasn't really watched it in years it was interesting to see how the current set allowed them to go from outside to inside and onto the first floor. Elements such as going from first floor to ground floor, and also going between wards before showing a glass partition where the camera operator had just walked through were clever. I suspect the two girls felt were a plot device to limit the action to being only at Holby City for most of the episode, as well as being able to show different areas of the 'building' and different people.

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