Absolutely amazing job. The detail is incredible.
It has brought back so many memories, and I can’t believe that it’s 23 years old!
Those big campaigns around that time were incredible and drilled the message home that it’s thanks to the viewers paying the license fee that such wonderful programming was and still is possible.
You're giving me far too much credit

Those who have worked on it have uploaded different copies of it online over the years, but each with something wrong (soundtrack out of sync, mono audio, effects that were added later - CGI spaceships in the starry sky over the choir apparently?!) and this is an amalgam of sorts to create the best version.
As this was 1997 it was 15:9 (or very close to it at least) letterboxed in a 4:3 frame, so gentle cropping was possible - and some hopefully unnoticeable stretching of the edges on a handful of the clips (close-up shots for example). Really glad though that forumers have liked it or enjoyed seeing it again. All credit goes to those who actually worked on it. Here's the credits list from the
original website:
Executive Producer: Steve Kelynack
Director: Gregory Rood
Copywriters: Ian Ducker & Will Farquhar
Art Director: Alistair Kay
Assistant Producers: Edel Erickson, Stephanie Vanider-Hill
Researcher: Jill Barber
Production Assistants: Gail Haslett, Kirstie Shaul, Julie Neilson
I was reading some Independent articles about this from the time, as they have a lot of old articles available on their website, apparently 'Wonderwall' was their first choice of song but Oasis turned them down. I really can't imagine that would have worked anywhere near as well!