TE
And what about the set? This has always been my hook for Eurovision.
It looked at its most spectaular with Malta's entry - really good.
But these Eastern European sets are getting increasingly boring though - this is the third year in a row that a black shiny floor has been used. All that varies now is whether the floor is a large screen or just under-lit with lighting as with this year.
There's no definite form to stages anymore - just morasses of screens and lighting, almost as if the EBU is offering standard guidelines now to inexperienced broadcasters as to what goes.
Every year it's the same - glitzy shiny black floor, rotating changing screens as background, and exposed lighting grids above - topped off by 'feature lighting' to hang from the ceiling of the venue for the jib-arm cameras to float past.
It's all just becoming very standardised now which is a great shame; you could always instantly recognise the sets of the 80s and 90s.
I don't know if it's just Euorvision, or just the way big stage events are nowadays.
It looked at its most spectaular with Malta's entry - really good.
But these Eastern European sets are getting increasingly boring though - this is the third year in a row that a black shiny floor has been used. All that varies now is whether the floor is a large screen or just under-lit with lighting as with this year.
There's no definite form to stages anymore - just morasses of screens and lighting, almost as if the EBU is offering standard guidelines now to inexperienced broadcasters as to what goes.
Every year it's the same - glitzy shiny black floor, rotating changing screens as background, and exposed lighting grids above - topped off by 'feature lighting' to hang from the ceiling of the venue for the jib-arm cameras to float past.
It's all just becoming very standardised now which is a great shame; you could always instantly recognise the sets of the 80s and 90s.
I don't know if it's just Euorvision, or just the way big stage events are nowadays.