LS
Lou Scannon
Previous pan-regional backdrops used (2013-2015 back projection) were flat, static photo-montage images. Therefore, they worked better with the "window" concept, as they logically seemed like they could be a printed image on a "roller-blind" that had been pulled down over the supposed "window".
I don't think even the most gullible of viewers has ever believed that the studio had real views overlooking the two bridges.
Oh, I quite agree. I was only talking about the internal fictional* logic of the concept. (*And presumably, obviously so to anyone).
Also, anyone familiar with the actual localities would realise that the backdrops shown don't make physical sense.
For example, the angle that the Clifton backdrop is shot from means that the ITV Bristol building would have to be on Clifton Down near the Observatory. In real life, the Observatory is the only building there, surrounded by expanses of grass and trees. And the ITV Bristol building is actually in a completely different area of the city.
Furthermore, in real life the bits of the Avon Gorge that are used on the two "side windows" are not actually perpendicular to the north side of the Clifton bridge in the way that the studio layout would have it. And because this believable-looking false construct looks like apparently opposing sides of the gorge are in each "side window", it therefore means that the studio would have to be floating in mid-air, high above the river Avon, in the middle of the gorge!
Similarly, the two "side windows" of the Tamar view show the west bank (e.g. Saltash) and east bank (e.g. St Budeaux) of the river, respectively, which would surely mean that the studio would have to be on a boat in the middle of the river!
I'm sure that most/all regions' 3-sided views are similarly artificial constructs.
Last edited by Lou Scannon on 7 January 2016 8:28pm