My god this just gets worse and worse!
It's actually quite amazing how Anne manages to do that set-in-stone look - I don't know of anyone else who can remain so completely still. She should be one of those statue performers on Grafton Street! How does she do it?!!
At the same time, how does she think that comes across on screen? She obviously doesn't think about it - if she did she'd be mortified. Rather she just blanks it out of her mind, pretending that it never even happened. In fact as she's
doing
it she's pretending it's not happening!! It's hilarious - I love the way she always does it.
Perhaps she stays so still in an effort to suggest that the picture has suddenly frozen, and that it's not actually an embarrassing live situation at all
Note how wary she was of all cues thereafter - she looks at the monitor for every single upcoming report afterwards, desperate to ensure that she's not left lingering in shot, again a characteristic of hers. You always know when Anne is nervous during a dodgy link as she either glues herself to the monitor at the end, or immediately turns to her papers.
But good god what a mess - a sat link down (note Anne says we 'hope' to contact Seán), a completely fecked up
VT, the kicking in of the bed instead (evidently from the subsequent ad break VT), the loss of the 'after the break' VT
as well
(which was the one that kicked in earlier) forcing the director to instruct Anne and Pres that there'd be no VT and instead they'd lead out with a 'see you after the break' link. Then they fecked up
this
emergency script by the vision mixer and/or director cutting away from Anne as she was speaking - I mean what a farce!
ALSO Anne presented this entire half hour bulletin with her lapel wires hanging across her white top - the director didn't even notice them, which speaks volumes as to their attention to what's going on on screen.
ALSO as I
knew
would happen from day one, those two desk mics have migrated out from their purpose-designed desk slot and now perch horribly on top of the glass surface, their wires trailing across and down the hole. This has been happening regularly now. What the heck is wrong with a double lapel, especially if they can't get decent audio from the desk mics?!!
At least they were moved out of sight after the Ingrid Miley interview, suggesting some in-studio presence...
And Anne keeps staring ridiculously at that monitor at the end of every bulletin (though not as bad as tonight!) - why can't she just sign off and instantly turn to her papers? Feck the viewer - just turn off!
It's so embarrassing to watch - similarly regarding the opening wide, where she's just sitting here like a statue ready to be cut up to MS. Shuffle your papers or something Anne - anything!
Indeed it's very noticeable how a number of presenters are relying on the floor monitor in the new scheme - Doyle, MacGrianna, and even Dobson keep glancing off camera to check out what's going on. And not in a traditional way like Ken Hammond usually does at the end of every link, rather it's an irritating nervous glance during conversations or during wides etc. It must be a giant plazma or something if it's that distracting for them.