TE
Well said
It's the piecemeal aspect to their production design that's perhaps the most irritating (after the cheap element of course) aspect of RTÉ News and Current Affairs.
When you think about it, compared with the UK where it's a major deal when things are changed, here it's not at all, number one cause nobody cares, and number two because it happens every five minutes!
There's no major thought, planning, effort, expertise and financial clout injected into design - it's just done on an ad-hoc basis upon the whim of the Director of News or the D of Programming or D Television, who sitting at home one evening think to themselves that the place could do with a bit of tarting up.
And when it is done, the of cheapest materials are used, and the most basic of set units that can be chucked together in studio from the warehouse out the back by two people in 20 minutes. This is what is so embarrassing about the sets especially, whatever about other prod values - they look exactly as they are: wheeled in bits of crap, put in position and locked down - that'll do grand.
The lack of planning was also evident in Prime Time by the fact that up until a few months ago they'd have a new desk made nearly every time you watched in an effort to cope with the different demands and seating arrangements required. The most ridiculous of all were large boards of surface, proped up on what must have been a metal frame, with of all things a black curtain stretched around it like a flippin valance on a bed! Like those yokes hotels use at weddings to cover up what are mere sheets of chipboard and steel! It was so parochial and gimcrack I just fell of my seat laughing!
Couple more images here of the newsroom. I just love this image - it says it all really
http://i2.photobucket.com/albums/y37/RTE1TV/Guests.jpg
And here's one including all the scuffmarks on the floor. Last night on the Nine the lit cyc area in the red box was blown, resulting in a dark patch in the set:
http://i2.photobucket.com/albums/y37/RTE1TV/WidePost-Break-Line.jpg
This happens quite a lot, or alternatively the set and subjects are all lit so brightly that the exposure is turned down resulting in the comparitively dimly lit background being virtually devoid of light, looking dead and lifeless.
You see it a lot on News Two with the tight shot of the newsreader just after sitting down introducing the 'here's Vivienne Traynor with more of today's news' report. The background usually looks like it's been turned off - wouldn't surprise me in the least if they turned it off during reports...
It's a very good point about the morning bulletins - it is quite literally the case of not wanting to 'have to go to the effort' of turning on the lights in the studio and the equipment in the gallery. It's ridiculous.
At least the late night audiences of late have been saved the indignity of the broom cupboard Pres studio in favour of the barely better SOCR (wich doesn't have the black line except for Fridays for whatever reason), but as you say it still does exist for morning/noon bulletins. The shadows are the greatest joke of all - to refer to student production again, you'd be slammed for that pathetic effort in an exam or project, the most basic rule of lighting, just a complete and utter joke, no wonder RTÉ has the reputation it has - I spend my life trying to defend the organisation but stuff like this just makes it impossible.
I remember Angus McGrianna was in the broom cupboard a few months ago (should be locked in there by all accounts
), and my mother was watching. Even
she
said "that shadow there is very bad isn't it - you'd think they could do better than that"!!!
On the point of other people noticing these things, isn't it just extraordinary how so few people seem not even to notice, let alone care about this?!
I've raised it with so many people I know - themselves interested in media and production, and they always just say you're being a crank (true anyway
), but really...I dunno...
There was a letter in the Irish Times before Christmas just mentioning in passing that Six One cannot go by without a cock-up, but that's all I've ever seen or heard outside of people here!
It's the piecemeal aspect to their production design that's perhaps the most irritating (after the cheap element of course) aspect of RTÉ News and Current Affairs.
When you think about it, compared with the UK where it's a major deal when things are changed, here it's not at all, number one cause nobody cares, and number two because it happens every five minutes!
There's no major thought, planning, effort, expertise and financial clout injected into design - it's just done on an ad-hoc basis upon the whim of the Director of News or the D of Programming or D Television, who sitting at home one evening think to themselves that the place could do with a bit of tarting up.
And when it is done, the of cheapest materials are used, and the most basic of set units that can be chucked together in studio from the warehouse out the back by two people in 20 minutes. This is what is so embarrassing about the sets especially, whatever about other prod values - they look exactly as they are: wheeled in bits of crap, put in position and locked down - that'll do grand.
The lack of planning was also evident in Prime Time by the fact that up until a few months ago they'd have a new desk made nearly every time you watched in an effort to cope with the different demands and seating arrangements required. The most ridiculous of all were large boards of surface, proped up on what must have been a metal frame, with of all things a black curtain stretched around it like a flippin valance on a bed! Like those yokes hotels use at weddings to cover up what are mere sheets of chipboard and steel! It was so parochial and gimcrack I just fell of my seat laughing!
Couple more images here of the newsroom. I just love this image - it says it all really
http://i2.photobucket.com/albums/y37/RTE1TV/Guests.jpg
And here's one including all the scuffmarks on the floor. Last night on the Nine the lit cyc area in the red box was blown, resulting in a dark patch in the set:
http://i2.photobucket.com/albums/y37/RTE1TV/WidePost-Break-Line.jpg
This happens quite a lot, or alternatively the set and subjects are all lit so brightly that the exposure is turned down resulting in the comparitively dimly lit background being virtually devoid of light, looking dead and lifeless.
You see it a lot on News Two with the tight shot of the newsreader just after sitting down introducing the 'here's Vivienne Traynor with more of today's news' report. The background usually looks like it's been turned off - wouldn't surprise me in the least if they turned it off during reports...
It's a very good point about the morning bulletins - it is quite literally the case of not wanting to 'have to go to the effort' of turning on the lights in the studio and the equipment in the gallery. It's ridiculous.
At least the late night audiences of late have been saved the indignity of the broom cupboard Pres studio in favour of the barely better SOCR (wich doesn't have the black line except for Fridays for whatever reason), but as you say it still does exist for morning/noon bulletins. The shadows are the greatest joke of all - to refer to student production again, you'd be slammed for that pathetic effort in an exam or project, the most basic rule of lighting, just a complete and utter joke, no wonder RTÉ has the reputation it has - I spend my life trying to defend the organisation but stuff like this just makes it impossible.
I remember Angus McGrianna was in the broom cupboard a few months ago (should be locked in there by all accounts
On the point of other people noticing these things, isn't it just extraordinary how so few people seem not even to notice, let alone care about this?!
I've raised it with so many people I know - themselves interested in media and production, and they always just say you're being a crank (true anyway
There was a letter in the Irish Times before Christmas just mentioning in passing that Six One cannot go by without a cock-up, but that's all I've ever seen or heard outside of people here!