IT
I agree in some respect, but the yellow and studio design is just yuck.
Yellow and black DOES work, just not the way they're doing it (see BBC Sport). The studio is awful too but I think if they built it to be physical with screens and lightboxes it would look quite good. I don't mind the look so much, but I can't believe for a second that it cost them £1m.
Is that £1m you're quoting the original price of installation in February 2004? Or for the last rebrand in 2009? I can tell you that there is a lot more to Studio 2 than meets the eye. Aside from the rather revolutionary screens, there was also the installation of virtual reality technology, e.g. the kit in the gallery and the sensors on the ceiling so the kit can track the movement of the cameras etc, not to mention new graphics and music. There's a lot more to it than it appears onscreen. Let me tell you, I've been to ITN a few times over the past 5 years and I was truly blown away by the VR technology and just what is needed behind the scenes to make it work. One of the senior ITN lighting directors had a go of explaining it to me and it was very complex indeed.
itsrobert
Founding member
Surely I'm not the ONLY person who really likes ITV News' presentation as it is at the moment? I mean.. it's good... like, it all matches, and looks neat. I just don't get the criticism.
I agree in some respect, but the yellow and studio design is just yuck.
Yellow and black DOES work, just not the way they're doing it (see BBC Sport). The studio is awful too but I think if they built it to be physical with screens and lightboxes it would look quite good. I don't mind the look so much, but I can't believe for a second that it cost them £1m.
Is that £1m you're quoting the original price of installation in February 2004? Or for the last rebrand in 2009? I can tell you that there is a lot more to Studio 2 than meets the eye. Aside from the rather revolutionary screens, there was also the installation of virtual reality technology, e.g. the kit in the gallery and the sensors on the ceiling so the kit can track the movement of the cameras etc, not to mention new graphics and music. There's a lot more to it than it appears onscreen. Let me tell you, I've been to ITN a few times over the past 5 years and I was truly blown away by the VR technology and just what is needed behind the scenes to make it work. One of the senior ITN lighting directors had a go of explaining it to me and it was very complex indeed.