NG
Not just the framing, the studio picture looks considerably softer than the OB picture, whether through lighting or ARCing
I haven't seen the broadcast in 16F16 yet - though I'd be surprised if they were mad enough to run a 4:3 studio and ARC the output.
It looked to me as if Kirsty's lighting, camera racking etc. were heavily US influenced (soft and soggy, but you don't see the wrinkles...) but without that little bit of sparkle that the best US lighting often compensates with.
I was pretty disappointed with the lighting and camera balancing to be honest - it certainly didn't have the "sparkle" of lots of money hitting the screen - instead it looked a bit soft, flat and the flesh tones were very cold.
One of the reasons the OB may have looked sharper is that it is probably lit in a far more "UK standard", and simpler way - with a basic key and fill (doubt there was backlight) manner, giving decent facial "modelling", and the camera is also likely not to have any "skin detail" or other "talent friendly" skin softness stuff wound in. It is also a much more "contrasty" environment.
On the other hand it really isn't a good thing to judge a new show from a single show. They could have all sorts of tricks up their sleeves. If they have a jib and use it effectively, we could have all sorts of interesting studio interview and presenter walk and talk possibilities.
noggin
Founding member
Steve in Pudsey posted:
tsunami__active posted:
You see this is the CLEAR problem:
http://members.lycos.co.uk/ohwhatanight/five18.JPG
Just look at the difference in framing between Kirsty Young and the reporter.
It's clear for anyone to see.
http://members.lycos.co.uk/ohwhatanight/five18.JPG
Just look at the difference in framing between Kirsty Young and the reporter.
It's clear for anyone to see.
Not just the framing, the studio picture looks considerably softer than the OB picture, whether through lighting or ARCing
I haven't seen the broadcast in 16F16 yet - though I'd be surprised if they were mad enough to run a 4:3 studio and ARC the output.
It looked to me as if Kirsty's lighting, camera racking etc. were heavily US influenced (soft and soggy, but you don't see the wrinkles...) but without that little bit of sparkle that the best US lighting often compensates with.
I was pretty disappointed with the lighting and camera balancing to be honest - it certainly didn't have the "sparkle" of lots of money hitting the screen - instead it looked a bit soft, flat and the flesh tones were very cold.
One of the reasons the OB may have looked sharper is that it is probably lit in a far more "UK standard", and simpler way - with a basic key and fill (doubt there was backlight) manner, giving decent facial "modelling", and the camera is also likely not to have any "skin detail" or other "talent friendly" skin softness stuff wound in. It is also a much more "contrasty" environment.
On the other hand it really isn't a good thing to judge a new show from a single show. They could have all sorts of tricks up their sleeves. If they have a jib and use it effectively, we could have all sorts of interesting studio interview and presenter walk and talk possibilities.