MO
It has 100% been replaced, its no longer smart glass but a proper permanent projection screen.
They are 75" lcds..
C
Thanks Generic - can you give some insight into why the smart glass was replaced? I presume they couldn't get the contrast but they must have thought it would be ok as it was built and part of the set quite close to launch by the look of it.
I think it's a shame as I liked the look of the smart glass.
Presumably the same is being done in Studio E?
They were chosen so the cameras could shoot though them, allowing a wider range of shots etc, but as you've correctly guessed, they couldn't get the contrast in them to make them look good on camera.
That seems like a pretty big cock-up by Jago/BDA/whoever's responsible for the sets. Surely they'd be aware of the limitations and requirements of the technology they were using?
My point all along.
It has 100% been replaced, its no longer smart glass but a proper permanent projection screen.
They are 75" lcds..
C
Thanks Generic - can you give some insight into why the smart glass was replaced? I presume they couldn't get the contrast but they must have thought it would be ok as it was built and part of the set quite close to launch by the look of it.
I think it's a shame as I liked the look of the smart glass.
Presumably the same is being done in Studio E?
They were chosen so the cameras could shoot though them, allowing a wider range of shots etc, but as you've correctly guessed, they couldn't get the contrast in them to make them look good on camera.
That seems like a pretty big cock-up by Jago/BDA/whoever's responsible for the sets. Surely they'd be aware of the limitations and requirements of the technology they were using?
My point all along.