NG
The previous generation of remote cameras used by BBC News (Radamec) used to have red-light interlocks, that would only allow "on shot" moves (fades) to be triggered when the camera was on-air, and only allowed the fast repositioning moves (cuts) to be done when the camera in question didn't have a tally (and was thus off-air). Famously this didn't initially work on the weather CSO (as that didn't raise the red light for the camera in use to begin with) This was with effectively no automation (actually there was a brief period with a top of the hour sequence with an automated camera move - but it didn't last ong)
However I suspect the whole methodology of Mosart is different.
One issue appears to be that the Furios don't appear to smoothly stop on-shot in some situations. (When they are used conventionally they are more used as fast tracking rail-cams which you cut to and from whilst they are moving - rather than seeing the move start and stop)
noggin
Founding member
I'm not sure how connected this automation is so this might be completely impossible...
Presumably these camera jitters are actually legitimate moves that were supposed to be made when the specific camera was off air. If the automation software was altered to include a bit of code that prevented these "off air" moves from being made at certain times, then we would presumably cease to see them.
So if a director selects an off air camera move whilst that camera is on air, the automation would refuse to move the camera.
Presumably these camera jitters are actually legitimate moves that were supposed to be made when the specific camera was off air. If the automation software was altered to include a bit of code that prevented these "off air" moves from being made at certain times, then we would presumably cease to see them.
So if a director selects an off air camera move whilst that camera is on air, the automation would refuse to move the camera.
The previous generation of remote cameras used by BBC News (Radamec) used to have red-light interlocks, that would only allow "on shot" moves (fades) to be triggered when the camera was on-air, and only allowed the fast repositioning moves (cuts) to be done when the camera in question didn't have a tally (and was thus off-air). Famously this didn't initially work on the weather CSO (as that didn't raise the red light for the camera in use to begin with) This was with effectively no automation (actually there was a brief period with a top of the hour sequence with an automated camera move - but it didn't last ong)
However I suspect the whole methodology of Mosart is different.
One issue appears to be that the Furios don't appear to smoothly stop on-shot in some situations. (When they are used conventionally they are more used as fast tracking rail-cams which you cut to and from whilst they are moving - rather than seeing the move start and stop)