NG
Err - studio cameras are not significantly lighter than they were about 25 years ago.
The BBC must still be filled with lots of old cameras then. What a hideous thing to say
The latest HDC-1500 High Definition cameras being used in TC1 and TC8 are roughly the same form factor (i.e. the camera head and lens is roughly the same size) as lenses and cameras used on lightweight cameras in the early 80s - like the Sony BVP330/BVP7/BVP70 etc.
People have to stop confusing the camera (the bit with the CCD/tubes in it), the lens - which will be the same size for most broadcast cameras as almost all lightweight studio cameras are based on 2/3" sensors which dictate the lens size, the pedestals (i.e. the mounting the camera is placed on) and the autocue/script hood on the front.
Believe me - I do know a bit about this kind of thing. I was around on shoots from the mid 70s until now.
Full-size cameras were big and unwieldy - and are now rarely used in studios or on location these days. (The BBC haven't used full studio cameras since the first generation of CCD cameras were adopted in the early 90s - and didn't buy any 16:9 full-size cameras AFAIK)
Lightweight cameras capable of running with big box lenses in cradles on peds, or being run handheld on a shoulder with a small lens, are standard - and the form factor of an early 80s Sony BVP330 with a triax back and a current BVPD30 with a triax back or an HDC1500 HD model with a fibre back isn't hugely different...
noggin
Founding member
the eye posted:
noggin posted:
Err - studio cameras are not significantly lighter than they were about 25 years ago.
The BBC must still be filled with lots of old cameras then. What a hideous thing to say
The latest HDC-1500 High Definition cameras being used in TC1 and TC8 are roughly the same form factor (i.e. the camera head and lens is roughly the same size) as lenses and cameras used on lightweight cameras in the early 80s - like the Sony BVP330/BVP7/BVP70 etc.
People have to stop confusing the camera (the bit with the CCD/tubes in it), the lens - which will be the same size for most broadcast cameras as almost all lightweight studio cameras are based on 2/3" sensors which dictate the lens size, the pedestals (i.e. the mounting the camera is placed on) and the autocue/script hood on the front.
Believe me - I do know a bit about this kind of thing. I was around on shoots from the mid 70s until now.
Full-size cameras were big and unwieldy - and are now rarely used in studios or on location these days. (The BBC haven't used full studio cameras since the first generation of CCD cameras were adopted in the early 90s - and didn't buy any 16:9 full-size cameras AFAIK)
Lightweight cameras capable of running with big box lenses in cradles on peds, or being run handheld on a shoulder with a small lens, are standard - and the form factor of an early 80s Sony BVP330 with a triax back and a current BVPD30 with a triax back or an HDC1500 HD model with a fibre back isn't hugely different...