DT
It's definitely doing it's job then!
DTV, I've made a space 5.8m x 5.71m for everything to fit into in the CI mock, so that's under your suggested dimensions and the ones I could work out, with space to spare for cameras and doors etc. I *think* maybe the lightbox/photo thing may just be very good at generating an illusion of it all being very big!
It's definitely doing it's job then!
AL
Money.
I thought that VR studios didn't require much money to make the environs appear onscreen? I thought VR sets were cheap to make and also used as a cost saving measure, so what additional costs are there?
What stops models like this being used as real on air VR sets?
Money.
I thought that VR studios didn't require much money to make the environs appear onscreen? I thought VR sets were cheap to make and also used as a cost saving measure, so what additional costs are there?
CH
Money.
I thought that VR studios didn't require much money to make the environs appear onscreen? I thought VR sets were cheap to make and also used as a cost saving measure, so what additional costs are there?
I think the initial set-up costs are really expensive but then obviously subsequent redesigns are much cheaper. It's more of an investment really. Correct me anyone if I'm wrong.
What stops models like this being used as real on air VR sets?
Money.
I thought that VR studios didn't require much money to make the environs appear onscreen? I thought VR sets were cheap to make and also used as a cost saving measure, so what additional costs are there?
I think the initial set-up costs are really expensive but then obviously subsequent redesigns are much cheaper. It's more of an investment really. Correct me anyone if I'm wrong.
CR
For something a bit different this time, I thought I'd spruce up the monstrosity that is the BBC Arabic VR set. It's used for (I think) news bulletins and Arabic Hardtalk, and looks terrible.
DK
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
'Still to come on Breakfast'
Thoughts on this approach appreciated.
Thoughts on this approach appreciated.
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
CR
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
Staying in the same studio at Salford - I've done a very basic recreation of the current studio using anything I can scrounge together, screen caps and that 360 degree view of the studio in NWT livery, and managed to fit that in - there's a second side as well...
'Still to come on Breakfast'
Thoughts on this approach appreciated.
Thoughts on this approach appreciated.
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
Staying in the same studio at Salford - I've done a very basic recreation of the current studio using anything I can scrounge together, screen caps and that 360 degree view of the studio in NWT livery, and managed to fit that in - there's a second side as well...
CH
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
Staying in the same studio at Salford - I've done a very basic recreation of the current studio using anything I can scrounge together, screen caps and that 360 degree view of the studio in NWT livery, and managed to fit that in - there's a second side as well...
Looks good - exactly what I imagine Breakfast would have looked like if it had stayed in London in Studio B. I do think the backdrop should be looking out over something rather than just having an image. Makes the set feel a little cold and closed off IMO - was never a fan of the look between 2006 and 2009.
If you get a chance to show us what this set would look like in NWT mode too (hopefully with a desk as it should have!) that would be superb!
Keep up the good work!
'Still to come on Breakfast'
Thoughts on this approach appreciated.
Thoughts on this approach appreciated.
Is that to fit in the Salford studio or is it a scenario that the show moves home? Looks good so far!
Staying in the same studio at Salford - I've done a very basic recreation of the current studio using anything I can scrounge together, screen caps and that 360 degree view of the studio in NWT livery, and managed to fit that in - there's a second side as well...
Looks good - exactly what I imagine Breakfast would have looked like if it had stayed in London in Studio B. I do think the backdrop should be looking out over something rather than just having an image. Makes the set feel a little cold and closed off IMO - was never a fan of the look between 2006 and 2009.
If you get a chance to show us what this set would look like in NWT mode too (hopefully with a desk as it should have!) that would be superb!
Keep up the good work!