MA
Were there multiple flavours of DSIS? ISTR that there were various flavours of one type of SIS or the other.
From memory the BBC used Dual Sound-In-Syncs (aka DSIS) on the output of their studio centres to feed the transmitters - and the data format used for DSIS was identical to NICAM, so removed the need for NICAM digital encoders at every transmitter (instead just needing some shuffling and modulators)?
Other way round. The IBA DSIS was NICAM 728 based, so no transcode required between studio and receiver. The BBC used the same format as their national radio distribution, NICAM 3 ? 656kHz based, so transcoding required at the tx sites. The Beeb opted for that to make spares interchangeable between the radio and TV networks. The IBA were dealing with 'green field' so made perfect sense to go with 728.
Were there multiple flavours of DSIS? ISTR that there were various flavours of one type of SIS or the other.
From memory the BBC used Dual Sound-In-Syncs (aka DSIS) on the output of their studio centres to feed the transmitters - and the data format used for DSIS was identical to NICAM, so removed the need for NICAM digital encoders at every transmitter (instead just needing some shuffling and modulators)?
Other way round. The IBA DSIS was NICAM 728 based, so no transcode required between studio and receiver. The BBC used the same format as their national radio distribution, NICAM 3 ? 656kHz based, so transcoding required at the tx sites. The Beeb opted for that to make spares interchangeable between the radio and TV networks. The IBA were dealing with 'green field' so made perfect sense to go with 728.