Interesting to see the DTA again after all these years. You’ll notice that, despite being a widescreen digital transmission area, most of the screens are 4:3 glass tube CRTs. The 16:9 screens in virtually all the monitor stacks were actually domestic (albeit very good) Sony Trinitron televisions. Istr being told at the time that buying 16:9 Grade 1’s in the number required for the DTA was totally prohibitive. I think at the time it was built there weren’t even really any on the market.
Yes - though there was only a brief period when 16;9 domestic CRTs small enough to make most stacks were available on the consumer market. Sony made some 16-20" sized sets ISTR - launched around the same time as the original PlayStation.
I remember the
TVC news galleries had 4:3 CRTs that scan-crushed to letterbox 16:9 for source monitors, with Sony 24" domestic CRTs used for PGM and PVW monitoring. The Sony domestic CRTs didn't last as well as the 4:3 monitors and were replaced by LCDs.
The only professional 16:9 CRT monitors I ever used were at my first HD place. Odd as we were using HD CRTs to quality check material that would never be seen by the public in HD on a CRT
Native interlaced CRTs were still definitely more capable of exposing some interlace faults than the deinterlacers feeding progressive LCDs and plasmas - as different deinterlacers (or in some cases different modes of deinterlacing) would behave differently and could mask them. Some deinterlacers also introduced quite nasty artefacts (Vutrix - I'm looking at you...)
For a long time glass CRTs were definitely better high quality monitoring solutions for lighting, grading and judging absolute picture quality than even relatively high-end LCDs.