NG
The US TV industry does love high chairs doesn't it?
I believe it helps to achieve a proper camera angle. So the cameras arent pointed in a downward position and you wind up shooting the floor behind the presenters and not the super expensive video wall and that expensive set that was purchased.
I can understand that argument if you have remote Radamec/Shotoku style panning heads and elevator systems (when rostra are often used to raise sets to counteract the extra height that the remote heads and elevators introduce) but modern, manually operated, studio peds go low enough to shoot decent eyelines at sofa height. (Of course camera operators may grumble at this - but designing a set based on operator grumbles may not be always a good idea)
Raising your hosts will probably give you scope for a wider wide shot I guess - but that style of high-table, high-chair presentation always strikes me as a bit odd.
noggin
Founding member
NBC News, MSNBC, CNBC, NBC affiliates and TODAY
The US TV industry does love high chairs doesn't it?
I believe it helps to achieve a proper camera angle. So the cameras arent pointed in a downward position and you wind up shooting the floor behind the presenters and not the super expensive video wall and that expensive set that was purchased.
I can understand that argument if you have remote Radamec/Shotoku style panning heads and elevator systems (when rostra are often used to raise sets to counteract the extra height that the remote heads and elevators introduce) but modern, manually operated, studio peds go low enough to shoot decent eyelines at sofa height. (Of course camera operators may grumble at this - but designing a set based on operator grumbles may not be always a good idea)
Raising your hosts will probably give you scope for a wider wide shot I guess - but that style of high-table, high-chair presentation always strikes me as a bit odd.
