Having Furios which can track around the radius of the desks (which appears to be the plan) will potentially massively improve eyelines
Would you mind explaining what you mean by 'improve eyelines' - isn't that an up/down thing? How does horizontal/radial tracking help that?
Eyelines are the shots you get of guests or presenters when they are looking at each other or a down-the-line screen, rather than specifically looking to camera. Relative positioning of the presenter/guest/screen and camera is key to getting a good eyeline.
Good eyelines are pretty frontal - and should include both eyes. Bad eyelines are less frontal, or worse almost profiley and only showing one eye.
If your cameras are on a radial track and your presenter is likely to look radially, then tracking around the radius will let you potentially get much better eyelines than cameras in fixed positions that can only pan/tilt/zoom (aaka PTZ) and elevate/depress. If you can't move the cameras between set-ups, then you end up with compromise positions that are less than ideal for each set-up. If you CAN move cameras between set-ups, and put them in the right place, then huge improvement in shots is possible - even if they don't move on-camera (and I suspect they will)
I suspect tracking cameras are a lot more cost-effective than fully robotic cameras which could move fully around the studio (as BBC News had in one of their 6th floor studios for a number of years until 1998)
To answer your question - yes - height can also be an issue with eyelines, you don't want to shoot too high or too low - but that's not a function of camera positioning (just adjustment within position).
Last edited by noggin on 18 December 2012 6:40pm